[youtube]http://www.youtube.com/watch?v=iPI8ydY0ET4[/youtube]
[youtube]http://www.youtube.com/watch?v=MS70QWFns8s[/youtube]
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Steve Clark's High n Dry/Pyromania JCM 800
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Steve Clark's High n Dry/Pyromania JCM 800
Marshall, Gibson, Fender, Charvel/Jackson.
Dave Friedman of RACKSYSTEMS is a genius.
Dave Friedman of RACKSYSTEMS is a genius.
- chrisom
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Re: Steve Clark's High n Dry/Pyromania JCM 800
Steve Clark and Joe Elliott made Def Leppard. When Steve died all their trademark guitar song-crafting died with him. His perfect blend of AC/DC-style rhythmic figures mixed with a Zeppelin/Page guitar-orchestration sensibility made even Leppard's later overproduced song efforts with him catchy and pleasing to the ears when layered with their brand of vocal harmonies admittedly styled after classic Queen.
Those pictures are great. Glad to see it's a Super Lead driving Steve's tone, and not those yucky Randall's they endorsed later. Even with the circuitboard sprayed with black spray paint, those of us with "MetroAmp training" can see there's not much new under the sun here.
It looks like they parallelled the NFB resistor (which would have been 100K in 1981), so it's probably halved to George's 47K (50) value as found in earlier Super Leads. It also looks like it has the big .68 uF cap on the Presence circuit (and on V1, but not at V2 on the circuitboard). I always wondered if you could export the bias pot without much problem. Well, even as sloppy as they did this one, I guess the answer is yes.
It also looks like they exported the preamp signal at the output of the tone circuit (output of Treble pot) via a blue shielded cabled to the effects send jack on the rear panel and also flew the signal back from the effects return jack via the same blue multi-conductor cable to the front where a purple sheilded cable routes the signal to an extra added pot (Effects Level I assume) and also back to the point of extraction.
The switch and yellow wires by the power tubes facilitate the same "grid-lift" or "triode/pentode" 100w/50w switch setup you find in Marshall's schematics for the 100/50 Jubilee Series amps, and the Marshall 9005 50/50 Power Amp, and hardwired triode in the Marshall 30w "Artist" hybrid amps of this era.
All in all, well thought out. Steve's Leppard tone was great IMO. Anybody see anything I missed, or have anything to add? Peace.
Those pictures are great. Glad to see it's a Super Lead driving Steve's tone, and not those yucky Randall's they endorsed later. Even with the circuitboard sprayed with black spray paint, those of us with "MetroAmp training" can see there's not much new under the sun here.
It looks like they parallelled the NFB resistor (which would have been 100K in 1981), so it's probably halved to George's 47K (50) value as found in earlier Super Leads. It also looks like it has the big .68 uF cap on the Presence circuit (and on V1, but not at V2 on the circuitboard). I always wondered if you could export the bias pot without much problem. Well, even as sloppy as they did this one, I guess the answer is yes.
It also looks like they exported the preamp signal at the output of the tone circuit (output of Treble pot) via a blue shielded cabled to the effects send jack on the rear panel and also flew the signal back from the effects return jack via the same blue multi-conductor cable to the front where a purple sheilded cable routes the signal to an extra added pot (Effects Level I assume) and also back to the point of extraction.
The switch and yellow wires by the power tubes facilitate the same "grid-lift" or "triode/pentode" 100w/50w switch setup you find in Marshall's schematics for the 100/50 Jubilee Series amps, and the Marshall 9005 50/50 Power Amp, and hardwired triode in the Marshall 30w "Artist" hybrid amps of this era.
All in all, well thought out. Steve's Leppard tone was great IMO. Anybody see anything I missed, or have anything to add? Peace.
Last edited by chrisom on Wed Mar 21, 2012 2:59 am, edited 2 times in total.
- slashl33t
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Re: Steve Clark's High n Dry/Pyromania JCM 800
I heard the def leppard guys used levi modded amps
*Rig*
*Epiphone Les Paul Custom Alpine
#535q Wah
*Marshall 2203 SIR #34/#36 Switchable
*Epiphone Les Paul Custom Alpine
#535q Wah
*Marshall 2203 SIR #34/#36 Switchable
- HTH
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Re: Steve Clark's High n Dry/Pyromania JCM 800
amp sounds great, would be interested to find out what the mods are - looks like the preamp is pretty much stock, just a pre-PI master and a passive effects loop ????
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Re: Steve Clark's High n Dry/Pyromania JCM 800
Marshall, Gibson, Fender, Charvel/Jackson.
Dave Friedman of RACKSYSTEMS is a genius.
Dave Friedman of RACKSYSTEMS is a genius.
- guitar007
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Re: Steve Clark's High n Dry/Pyromania JCM 800
Old thread, I know. Has anyone had success trying this mod and getting that tone? This amp sounds fantastic!
https://m.youtube.com/watch?v=iPI8ydY0ET4
https://m.youtube.com/watch?v=iPI8ydY0ET4
~guitar007
- wdelaney72
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Re: Steve Clark's High n Dry/Pyromania JCM 800
Interesting....Steve Clark may have toured with a MV amp, but High N Dry studio guitar sounds like a straight 1959 Superlead with very tasteful layering / compression by a younger Mutt Lange.
High N Dry still probably may favorite recorded rhythm guitar tone...ever.
High N Dry still probably may favorite recorded rhythm guitar tone...ever.
Walter
"There's no great thing in being a soloist. I think the hardest thing is to play together with a lot of people, and do it right." - Angus Young, 1984
"There's no great thing in being a soloist. I think the hardest thing is to play together with a lot of people, and do it right." - Angus Young, 1984
- chrisom
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Re: Steve Clark's High n Dry/Pyromania JCM 800
Yeah- The earlier, rawer Def Leppard was definitely better to bang heads to. AC/DC rhythm sounds with Queen layered background vocals, and a heavy dose of teenage angst to boot. Much better than the candy-coated pop ballads that they followed up with...