One of my favorite blues players, Mississippi John hurt:
http://www.youtube.com/watch?v=Vphs2YYBSr0
http://www.youtube.com/watch?v=YEjyBLm9--4
Now that's old school!
Old School Blues
Moderators: VelvetGeorge, BUG
- white noise
- Senior Member
- Posts: 262
- Joined: Sat Jun 22, 2013 9:09 am
- Just the numbers in order: 13492
- Location: San Antonio Texas
- NY Chief
- Wiki Editor
- Posts: 6589
- Joined: Thu Apr 28, 2005 6:02 pm
- Location: SoCal
Re: Old School Blues
NY Chief 5-0, transplanted in SoCal
"Book 'em, Dan-o!"
"Book 'em, Dan-o!"
- Tone Slinger
- Senior Member
- Posts: 6520
- Joined: Thu Aug 24, 2006 10:31 am
Re: Old School Blues
Man, I loved the vibe and the fingerpicking,had almost a 'Blue' Grass type thing to it
At the same time, it reminded me of the Eddie Murphy 'live' in '83 cassette I used to listen to.(James Brown impersonation) "Sum'a HA, bout tha peeple say HUH !"...... "What did James say?" , "I dont Know, just keep on playin" . I didnt catch ONE word of what that dude (John Hurt) was saying . He makes Robert Johnson sound like a speech therapist .
It was also kinda like the guy on 'In Living Colour'... "I wrote 'a little song 'bout it, wanna hear it , goes like this "
At the same time, it reminded me of the Eddie Murphy 'live' in '83 cassette I used to listen to.(James Brown impersonation) "Sum'a HA, bout tha peeple say HUH !"...... "What did James say?" , "I dont Know, just keep on playin" . I didnt catch ONE word of what that dude (John Hurt) was saying . He makes Robert Johnson sound like a speech therapist .
It was also kinda like the guy on 'In Living Colour'... "I wrote 'a little song 'bout it, wanna hear it , goes like this "
Rip Ben Wise (StuntDouble) & Mark Abrahamian (Rockstah)
-
- Senior Member
- Posts: 1147
- Joined: Tue Mar 18, 2008 10:19 pm
- Just the numbers in order: 7
- Location: the dirty south
Re: Old School Blues
Love him. Those old acoustics really have a sound, too. Here's a bit I gleaned from the inter webs:
"What He Played
By Jim Ohlschmidt
Until his rediscovery in 1963, John Hurt played nondescript, run-of-the-mill guitars like the first one his mother bought him. Beginning with his arrival in Washington, DC, friends and fans furnished Hurt with a number of different guitars that he used onstage and in the studio. According to acoustic-blues aficionado and Stella guitar collector Neil Harpe, Hurt was playing a Harmony-style Stella flattop before Tom Hoskins gave him a Gibson J-45, which had been refinished natural and had custom fingerboard inlays, and an Emory guitar, built around 1900, with a slotted headstock and a rectangular fingerboard inlay at the 12th fret that said "Emory."
After his celebrated debut at the Newport Folk Festival, the Newport Folk Foundation wanted to buy Hurt a guitar and took him to Fretted Instruments in New York City, where he modestly chose a Guild F-30. He played this guitar on the Vanguard album (Live!) recorded at Oberlin College and the live sets heard on Memorial Anthology.
Stefan Grossman was an avid student of Hurt's music, and he loaned Hurt a 1930 Martin OM-45 for the studio recordings he made for Vanguard (collected on The Complete Studio Recordings), many of which are his finest tracks. The guitar sounds fantastic on those records; sadly, Grossman no longer owns the instrument.
One of the last guitars Hurt owned was an unnamed, custom-built, auditorium-style flattop with inlaid wood binding and Hurt's name inscribed in a block marker at the 12th fret. This is the guitar he plays on Pete Seeger's Rainbow Quest TV show, and it's also seen in photographs of Hurt picking on the front porch of his Grenada, Mississippi house."
from
http://www.acousticguitar.com/ article/158/158,6794,FEATURE-1.asp"
One Summer in the late 80's, my guitar mate and I, and our girlfriends, went to Elkins, WV to stay at a "Blues Camp" for a couple weeks.
John Cephas, Phil Wiggins, and John Jackson . . . they taught us. Jams every night at the old "icehouse". They'd come out of the woodwork for that. Man, that was a fine time, where people took the time! My favorite was John Jackson. Mellow, humble, laid-back Piedmont man with one hell of a slow easy drawl when he speaks. Check these guys out.
[youtube]http://www.youtube.com/watch?v=e21nqPuo6HU[/youtube]
"What He Played
By Jim Ohlschmidt
Until his rediscovery in 1963, John Hurt played nondescript, run-of-the-mill guitars like the first one his mother bought him. Beginning with his arrival in Washington, DC, friends and fans furnished Hurt with a number of different guitars that he used onstage and in the studio. According to acoustic-blues aficionado and Stella guitar collector Neil Harpe, Hurt was playing a Harmony-style Stella flattop before Tom Hoskins gave him a Gibson J-45, which had been refinished natural and had custom fingerboard inlays, and an Emory guitar, built around 1900, with a slotted headstock and a rectangular fingerboard inlay at the 12th fret that said "Emory."
After his celebrated debut at the Newport Folk Festival, the Newport Folk Foundation wanted to buy Hurt a guitar and took him to Fretted Instruments in New York City, where he modestly chose a Guild F-30. He played this guitar on the Vanguard album (Live!) recorded at Oberlin College and the live sets heard on Memorial Anthology.
Stefan Grossman was an avid student of Hurt's music, and he loaned Hurt a 1930 Martin OM-45 for the studio recordings he made for Vanguard (collected on The Complete Studio Recordings), many of which are his finest tracks. The guitar sounds fantastic on those records; sadly, Grossman no longer owns the instrument.
One of the last guitars Hurt owned was an unnamed, custom-built, auditorium-style flattop with inlaid wood binding and Hurt's name inscribed in a block marker at the 12th fret. This is the guitar he plays on Pete Seeger's Rainbow Quest TV show, and it's also seen in photographs of Hurt picking on the front porch of his Grenada, Mississippi house."
from
http://www.acousticguitar.com/ article/158/158,6794,FEATURE-1.asp"
One Summer in the late 80's, my guitar mate and I, and our girlfriends, went to Elkins, WV to stay at a "Blues Camp" for a couple weeks.
John Cephas, Phil Wiggins, and John Jackson . . . they taught us. Jams every night at the old "icehouse". They'd come out of the woodwork for that. Man, that was a fine time, where people took the time! My favorite was John Jackson. Mellow, humble, laid-back Piedmont man with one hell of a slow easy drawl when he speaks. Check these guys out.
[youtube]http://www.youtube.com/watch?v=e21nqPuo6HU[/youtube]
dave