i didn't read carefully enough about the seperate power supply, that's great.
now, you just have to do some clips, hopefully

Moderators: VelvetGeorge, BUG
Yes,Roe wrote:remember to rebias after changing the screen supply
daveweyer wrote:..."It was late 1968. It had been a rough year politically for a lot of folks, but it had been a good year economically for West Coast Organ and Amp Service and the Thomas Organ Company.
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1963 NAMM show in Chicago.
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The Wah pedal from the 1968 period has been called the “transition model” by the knowledgable builders out there because it came between the older Clyde McCoy pedal and the new model Vox was tooling up for in late 1968.
Some folks refer to that new design as the “Sepulveda model” because it was made right in Sepulveda CA in the Thomas/Vox factory with outsourced parts and circuit boards.
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Sometime in early 1969 I was visiting Bob at the Vox engineering department and saw some of the assemblies for the new Vox Wah pedal which was slated to arrive on the market en masse in 1970.
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To get the rest of the parts I picked through some TDK and other inductors after hours with Bob, and got several to take with me.
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some of the new 5103 TDK plastic enclosed inductors..."
Yes, I like these pickups very very much!Xplorer wrote:wait until tomorrw ... wow, never heard such a close tone to jimi.
well done ! castle made of sand too .. and well played.
i also have an input bias pot on my fuzz, and i also have the slider's 69, they're great isn't it ?