Anybody Here Ever Used...
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- flemingmras
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Anybody Here Ever Used...
...an Alesis 3630 Compressor/Gate on a kick drum before? I'm looking for some basic startup settings for a good fat kick drum with that top end "click" on the beater.
Anyone?
Jon
Anyone?
Jon
There's just that fine line between stupid and clever - Nigel Tufnel
- VelvetGeorge
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- flemingmras
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- tonejones
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I agree with George,
Throw that Beeeotch in the trash and go get a RNC!!!!!
http://www.fmraudio.com/RNC1773.HTM
Throw that Beeeotch in the trash and go get a RNC!!!!!
http://www.fmraudio.com/RNC1773.HTM
Let's get going, 'cause there's too much music, too little time!!!!
- flemingmras
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I would but it's not rackmountable. Remember this is for live PA.
I need it for that fat kick drum with lots of "click" that just throws you against the wall.
Of course, once I replace my direct radiating subs with Cerwin Vega folded horns this should not be hard to accomplish.
Jon
I need it for that fat kick drum with lots of "click" that just throws you against the wall.
Of course, once I replace my direct radiating subs with Cerwin Vega folded horns this should not be hard to accomplish.
Jon
There's just that fine line between stupid and clever - Nigel Tufnel
- tonejones
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Is kinda true...you'd hafta get a half rack adaptor for it, but the guys over at the LAB (Live Audio Board) swear by these things (say the only way you can beat it is with a $1000+ Drawmer or the like)...I would but it's not rackmountable. Remember this is for live PA.
I can't remember which ones, but I know DBX has some nice comps (hell, even the $100 Behrenger comps are pretty decent these days).
Good luck with the Alesis.....
Let's get going, 'cause there's too much music, too little time!!!!
- VelvetGeorge
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- rjgtr
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You know, even if it's crap it's what jon has!
Try soft knee. I find a little compression on the kick goes a long way. With drums, I like to mix the direct sound with the compressed sound. It give a nicer clarity in the high end. Also 2:1 to 4:1 seems to be a good range. It wort of depends on the drummer. If he is getting all click from using a plastic beater, I'll compress the tail more to get some meat behind it.
Gates are annoying to me, but it is best to use a pretty long release time. Otherwise the ring gets cut off and the drum sounds funny.
Being a drummer too, I'm a little sensitive about taking away all the character from a drum kit. It's like playing dobro without the sonic grease.
Try soft knee. I find a little compression on the kick goes a long way. With drums, I like to mix the direct sound with the compressed sound. It give a nicer clarity in the high end. Also 2:1 to 4:1 seems to be a good range. It wort of depends on the drummer. If he is getting all click from using a plastic beater, I'll compress the tail more to get some meat behind it.
Gates are annoying to me, but it is best to use a pretty long release time. Otherwise the ring gets cut off and the drum sounds funny.
Being a drummer too, I'm a little sensitive about taking away all the character from a drum kit. It's like playing dobro without the sonic grease.
Richard Johnson
Playing an instrument doesn't make you a Musician ... Listening does...
Playing an instrument doesn't make you a Musician ... Listening does...
- flemingmras
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Yeah but lots of drums have TOO MUCH sustain. To the point where I can't turn them up as loud with the ring in there.
For heavy metal type drums you HAVE to gate out the sustain. This is because in heavy music the stick attack is more emphasized, with the low end boom right behind it. If you want more of the hollow loose drum sound then you don't gate them. But gating them tightens up the toms a lot more and brings out more of the attack itself than the tone the drum produces.
However...you guys were right. I auditioned the 3630...not near enough range on the gate and the compressor was just sucking the life out of the signal. I went and exchanged it for a dbx 266XL...which I've used numerous times on kick drums and it works really well. I set the attack at about 2:00, release at 12:00(the gate kicks in before the compressor releases the signal anyway), 4:1 ratio, +10dB of makeup gain, and then as the drummer hits the drum I start raising the threshold until it sounds right. Lots of "click" and plenty of boom...to the point where the kick drum is pinning you against the wall.
I now have 3 266XLs in the rack for channels 1-6 inserts on my board, which gives me enough to process every drum in the kit plus a channel.
Anybody have an recommended settings for compressing snare drums?
Jon
For heavy metal type drums you HAVE to gate out the sustain. This is because in heavy music the stick attack is more emphasized, with the low end boom right behind it. If you want more of the hollow loose drum sound then you don't gate them. But gating them tightens up the toms a lot more and brings out more of the attack itself than the tone the drum produces.
However...you guys were right. I auditioned the 3630...not near enough range on the gate and the compressor was just sucking the life out of the signal. I went and exchanged it for a dbx 266XL...which I've used numerous times on kick drums and it works really well. I set the attack at about 2:00, release at 12:00(the gate kicks in before the compressor releases the signal anyway), 4:1 ratio, +10dB of makeup gain, and then as the drummer hits the drum I start raising the threshold until it sounds right. Lots of "click" and plenty of boom...to the point where the kick drum is pinning you against the wall.
I now have 3 266XLs in the rack for channels 1-6 inserts on my board, which gives me enough to process every drum in the kit plus a channel.
Anybody have an recommended settings for compressing snare drums?
Jon
There's just that fine line between stupid and clever - Nigel Tufnel