what your guys favorite guitar wood??
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- fillmore nyc
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Well, even better than plywood is that really cheap flakeboard. If you paint it flourescent, use blacklights at the gig, and have a really strong fan blowing from behind you, when you bang on the guitar, and the little flakes come flying off, spinning into the mosh pit in a glowing, blacklighted little meteor storm, anyone in the audience who is tripping is instantly revealed.Necrovore wrote:Actually plywood guitars sound really nice as well. Not to mention you can get multi timbers of tonewood in a plywood guitar. The bodies are nice and thick with a denseness to them that solid tonewoods can match.


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Whatever wood the 25th anniversary strats are made of warm. Alder?? Its heavy as shit weighs like 15lbs or sometin,you could knock out a rhinosaurus with one good swing.
74' Stratocaster
Several Frankenstrats
Orange Tiny Terror & PPC 1x12 cab
Marshall 2210
69' Marshall 4x12 "B" cab
Dean Markley CD-60
Several Frankenstrats
Orange Tiny Terror & PPC 1x12 cab
Marshall 2210
69' Marshall 4x12 "B" cab
Dean Markley CD-60
- fillmore nyc
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Hey, GS. Ive never picked up one of the 30th Anniversary Strats, but if its that heavy, I doubt that its alder. Maybe mahogany, or hard maple?? Either of those can weigh a ton, if you get a particularly heavy piece.Guitar-Sam wrote:Whatever wood the 25th anniversary strats are made of warm. Alder?? Its heavy as shit weighs like 15lbs or sometin,you could knock out a rhinosaurus with one good swing.
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I love the sound of my swamp ash tele.
My supertrat is a freak ... walnut with bondo plugging up the single coil routes. Sounds great for some reason.
If I were to make another one, I'd do it in swamp ash.
My supertrat is a freak ... walnut with bondo plugging up the single coil routes. Sounds great for some reason.
If I were to make another one, I'd do it in swamp ash.
Gear:
'74 Super Lead rebuilt with '68 metro board and old stock mustards.
'73 Super Lead
'68 Basketweave with pre rola G12Ms
'70 Basketweave
'74 Super Lead rebuilt with '68 metro board and old stock mustards.
'73 Super Lead
'68 Basketweave with pre rola G12Ms
'70 Basketweave
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Old growth mahogany and old growth flamed maple...as on 1950's Les Pauls.
Last edited by Bluesbreaker on Fri Sep 21, 2007 8:01 am, edited 1 time in total.
Les Pauls, Strats, and Marshalls...the essence of great sound. Great tone comes from the heart and fingers.
- Tone Slinger
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I've been back to the drawing board so to speak, as far as what it is exactly that makes a great sounding guitar. Using the two biggies (Strat and Les Paul) as references.
Stratocaster) With all things being the same (6 screw bridge, origional big block, 7 1/4 radius fretboard, single coils,etc) I think Alder is the best wood. Warm and balanced, with ample highs and lows.
Les Paul) All things the same, I think Mahogany body w/maple top, as well as mahogany neck.
Different strokes for different folks, but the above formula's work, and are tried and true.
Stratocaster) With all things being the same (6 screw bridge, origional big block, 7 1/4 radius fretboard, single coils,etc) I think Alder is the best wood. Warm and balanced, with ample highs and lows.
Les Paul) All things the same, I think Mahogany body w/maple top, as well as mahogany neck.
Different strokes for different folks, but the above formula's work, and are tried and true.
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For tone, I like basswood bodies. For looks, I prefer quilted maple bodies, and flamed maple almost as much. I really love the feel of rosewood necks. They don't require finish, so they feel great. Also, they have a warm sound. Unfortunately, they're really heavy. I like the looks of birdseye or flamed maple necks. For jazz guitars (hollowbodies) I prefer spruce tops, with maple bodies.
Brad
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- ericopp
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I was back at my grandfather's place over the weekend, and he's gonna set me up with a bunch of walnut (YES!!!) and also some maple. Thing is, it's not the Eastern Hard Rock maple, he says, it's sugar maple...
What's the difference? Should i care? Does anyone know anything about building electric guitar bodies with sugar maple???
Thanks...
What's the difference? Should i care? Does anyone know anything about building electric guitar bodies with sugar maple???
Thanks...
"If I can't play my guitar through a Marshall I would rather not play my guitar at all." - Justin Hawkins - The Darkness
- 5150loveeddie
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Fill or anyone, does your guitar body must be cut a different way for it to accept a 24,75" scale lenght versus a 25,5" SL neck?? Body would be strat type shape.....
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- 5150loveeddie
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Ok exactly what I was meaning, so the bridge placement is different for either scale lenght? Once it is done your stuck with it basicly right?Brad737 wrote:The bodies don't necessarily have to be cut differently. Bridge placement is what's important.
I'm asking because I'm preparing to send a blank of wood to be shaped, etc., want to make sure what I'm asking for.....
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