"LUCKY" break?.....I guess.......

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Flames1950
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"LUCKY" break?.....I guess.......

Post by Flames1950 » Sat Aug 18, 2007 5:28 pm

Man am I pissed, I just lost my grip on my '96 LP Studio and watched the neck smack the floor.......you all know what that means on a Gibson. :evil: :evil: :evil:

I suppose I'm lucky in that the grain of the neck caused a break that can be clamped back together in a fairly simple fashion -- IF I can spread it apart enough to get the glue in there. I ordered some syringes to help.

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:evil: :evil: :evil: :evil: :evil: :evil: :evil: :evil: I'm in a foul mood now........
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St August
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Post by St August » Sat Aug 18, 2007 6:20 pm

oops! hope it can be fixed without any further damage..

I work with wood every day and I know sometimes it gets worse before it gets better...Good luck Andy im sure it will be ok :wink:

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fillmore nyc
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Re: "LUCKY" break?.....I guess.......

Post by fillmore nyc » Sat Aug 18, 2007 10:53 pm

Flames1950 wrote:Man am I pissed, I just lost my grip on my '96 LP Studio and watched the neck smack the floor.......you all know what that means on a Gibson. :evil: :evil: :evil:

I suppose I'm lucky in that the grain of the neck caused a break that can be clamped back together in a fairly simple fashion -- IF I can spread it apart enough to get the glue in there. I ordered some syringes to help.

:evil: :evil: :evil: :evil: :evil: :evil: :evil: :evil: I'm in a foul mood now........
Really sorry to hear about that, Flames. I know exactly what you feel, cause I had a guitar that I was in the middle of building, and had just clamped up with about 15 heavy wood clamps on it, flip off the table while I was cleaning up the shop, and smash to pieces, WAY past the point of being repaired. I literally had to leave the house for a few hours, cause I was afraid I was gonna break something in frustration. You'll get that LP fixed. Just wait till you calm down before you work on it. :? :?

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JD
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Post by JD » Sun Aug 19, 2007 2:14 pm

Ouch, man that sucks. Looks like it might be a tough one to get glue into. Syringes are your best bet probably. On the bright side, it will actually be stronger than the parent wood if done properly.

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Flames1950
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Post by Flames1950 » Sun Aug 19, 2007 8:20 pm

Syringes are the only ticket for the glue.....the bigger issue is figuring out how to set up clamps to very slowly spread that crack open, without enlarging it!!!!

Then I have to match the lacquer....joy.
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el34on11
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Post by el34on11 » Sun Aug 19, 2007 8:50 pm

Man that really blows..................
:(

Flames........you can search Stewart MacDonald's website and they have all kinds of info on repairing a neck crack like that and fixing the lacquer so it is almost un noticeable..... :)

I've got a couple of emails from them with the exact info about this kind of repair..........

If you want I can foreward them to you.......

Derrick
LesPauls and Marshall's

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fillmore nyc
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Post by fillmore nyc » Sun Aug 19, 2007 9:20 pm

Flames1950 wrote:Syringes are the only ticket for the glue.....the bigger issue is figuring out how to set up clamps to very slowly spread that crack open, without enlarging it!!!!

Then I have to match the lacquer....joy.
Im not sure you can spread that open without enlarging the crack to SOME degree. (Remember, its splitting along grain lines, which have been weakened) I think the key is to get it open just enough to be able to get glue in there, and then load the s**t out of it. You can always wipe extra away, but you're really only gonna get 1 chance to do this the right way. I would firmly clamp the whole axe to a table, supporting the neck up to the point where the crack stops, and rig up a clamp between the headstock, and the table bottom so when you CAREFULLY tighten the clamp, the crack starts to open. (BTW, dont forget to completely loosen the truss rod) You might put a TIGHT, single wrap of masking tape, slightly overlapping the furthest end of the crack, which will start to split open if the crack starts to enlarge when you start opening it, or if you open it too far. Kind of a poor mans warning system. Matching the "lacquer" (on studio models, I dont think its lacquer at all--its most likely some sort of urethane, or acrylic) is gonna be tough if you really want the repair to be invisible. Hate to say it, but truly coming close to invisible would probably require a refin of the neck. Overspray, or partial refin, or spot refin will always be visible to some degree. Just a matter of how much work you're willing to do, and what result you wanna live with. Good luck, bro. :? :? 8) 8)

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Post by Flames1950 » Sun Aug 19, 2007 9:44 pm

fillmore nyc wrote:Im not sure you can spread that open without enlarging the crack to SOME degree. (Remember, its splitting along grain lines, which have been weakened) I think the key is to get it open just enough to be able to get glue in there, and then load the s**t out of it.
That's kinda what I meant, it just has to open enough to get the syringe in there, and depending on the glue's working time I may squirt it in and then find a way to raise the axe so that the glue seeps further down into the cracks towards the body. I may have to clamp to a separate board so I can raise it. Excess won't matter by the time I sand the areas down for refinishing anyway!!
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Post by fillmore nyc » Sun Aug 19, 2007 10:02 pm

Flames1950 wrote:
fillmore nyc wrote:Im not sure you can spread that open without enlarging the crack to SOME degree. (Remember, its splitting along grain lines, which have been weakened) I think the key is to get it open just enough to be able to get glue in there, and then load the s**t out of it.
That's kinda what I meant, it just has to open enough to get the syringe in there, and depending on the glue's working time I may squirt it in and then find a way to raise the axe so that the glue seeps further down into the cracks towards the body. I may have to clamp to a separate board so I can raise it. Excess won't matter by the time I sand the areas down for refinishing anyway!!
What are you thinking of using for glue, Flames? I always am trying new things when it comes to repairs of this type, and like to hear different ideas from other repairmen. I hear of some guys trying CA glue (some version of crazy glue) but I've never tried that myself. Just doesnt seem like what I would wanna use on a repair of this type, but that doesnt mean it couldnt work. I would be a little nervous about the lack of usable working time with something like that, and I would also be concerned about it getting on the truss rod, and fusing it to the neck wood.

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Post by Flames1950 » Sun Aug 19, 2007 10:21 pm

I'm planning on using the standard yellow Titebond glue, I just grabbed a bottle from Stew Mac while I was getting the syringes. The working time on cyanoacrylates scares me too, plus I don't know if I trust them yet for this type of repair. The yellow should have plenty of time to seep into the crack for a while before I clamp things tight -- I'll try to give it twenty minutes to a half hour to seep in. I'd like to thin it with water to help it seep but I'm afraid that would compromise its strength too much -- although I can string the guitar to pitch and play it fine right now since the crack was created opposite the string tension. (The string tension may have saved it from a worse break even.)
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Post by JD » Sun Aug 19, 2007 10:27 pm

I've done a few of these and my opinion (although certainly not an expert opinion by any means) is that titebond might be too viscous and not be able to get way down in there. By the photo that appears to be a substantial distance up the neck from the nut area and probably won't be able to be spread much without making the crack propigate longer. I'd almost try superglue in this situation, one of the very liquid ones with "additional working time" stated. That superglue has a way of migrating into those tight tiny crevices. Since it is opposite the string tension (rare) you might not need herculean strength glue, and might also be able to string it to set it and not do too much with clamping.

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Post by Sparky » Sun Aug 19, 2007 10:42 pm

Hey Flames, sorry to hear about your guitar. There was a great newletter from Stewmac on regluing headstock cracks. Shoot me an email and I'll send it to you.

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Post by planetjimi » Sun Aug 19, 2007 10:53 pm

Here is the link flames, hope this helps!
http://www.stewmac.com/tradesecrets/ts0 ... clk=125750

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Post by Flames1950 » Mon Aug 20, 2007 12:25 am

Thanks for the link guys, lots of good ideas that will save me some time figuring out how to clamp this up. And convinced me to switch glues too. :D
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Post by fillmore nyc » Mon Aug 20, 2007 1:53 am

planetjimi wrote:Here is the link flames, hope this helps!
http://www.stewmac.com/tradesecrets/ts0 ... clk=125750
Well, this certainly seems to answer the full question, Flames. Glue type, and the repair is almost identical to yours. I figured as much about the CA glue, and I also would be concerned about the viscosity of yellow glue, though it is usually my glue of choice, just not for this repair. Its a "gitnip"... "good in theory, not in practice"!!! Good luck, and post some pics after you're done!! 8) 8)

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