Stainless steel frets
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Stainless steel frets
Anyone have a guitar with stainless steel frets?
What did you think of it? Too bright?
What did you think of it? Too bright?
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I have them in my Fool SG. They're great. Strings bend easier. 10's feel like 9's. They're not bright, I don't know where that came from. My guess is that rumor/thought came from those who got new frets put in after years and also had to change to new strings.
Any refrets I do in the future will be with stainless frets.
Any refrets I do in the future will be with stainless frets.
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The last Warmoth neck I got I was 2 seconds away from pulling the trigger on the SS frets. Damn. I didnt do it because of the 'bright' thought process too. I wish I got em now. I figured I was already getting their baseball bat neck size in maple/maple. It would be bright enough. Wish I had a mulligan.
I think I remember the thread but did you have someone paint your Fool SG?
I think I remember the thread but did you have someone paint your Fool SG?
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I bought a fatback Tele neck from Warmoth with the SS6115 frets (true jumbo's) and it is killa. Forget that "too bright" train of thought. Its an urban legend. The fretboard material, and type of bridge you use will have tons more effect on the brightness than the fret material. SS frets wear WAY longer than nickel-steel, and string bending is a lot smoother as well. Great stuff!!



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Yeah, my friend (and scuba diving buddy) Jim O'Connor did the Fool SG paint. He's had famous people hire him for work. You can see some of his other work on this web page I did for him.Billy Batz wrote:I think I remember the thread but did you have someone paint your Fool SG?
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Damn!! Mr.Jim O'Connor is a fantastic artist. Very , Very bueatifull work. I have never heard of him until now! Thanks for the link. ChadSouthbay Ampworks wrote:Yeah, my friend (and scuba diving buddy) Jim O'Connor did the Fool SG paint. He's had famous people hire him for work. You can see some of his other work on this web page I did for him.Billy Batz wrote:I think I remember the thread but did you have someone paint your Fool SG?
http://southbayampworks.com/ocd/OCDART.html
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- yngwie308
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Both my Heritage Gary Moore models were refretted with stainless steel wire that John Zeidler got from Larry DiMarzio, they play great and sound killer.
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John Suhr is not offering them any more...must be a damn good reason considering the source.
I'll stick with nickels for now. In 30 years I have yet to refret a single one of my guitars. I have several so it could be why...
I could see it being beneficial for players like SRV abusing their axes and refretting after a year or so...
I see soo many pitted frets on guitars I can see it being a good thing for players that have a certain technique that eats frets
I'll stick with nickels for now. In 30 years I have yet to refret a single one of my guitars. I have several so it could be why...
I could see it being beneficial for players like SRV abusing their axes and refretting after a year or so...
I see soo many pitted frets on guitars I can see it being a good thing for players that have a certain technique that eats frets
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You've hit the fret on the head, or crown of the nail, you know what I mean Dan.. too hard to fit properly, makes me marvel more at the masterful job John did on my guitars....RIP John.
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Hmm. My luthier had never put in stainless frets before my Fool SG. It was his first. He had no problems. Keep in mind I also had a brand new Brazilian board to put them in, so maybe the issue is with replacing nickel frets with stainless.Billy Batz wrote:Probably because theyre a bitch to put in. I talked a lot with a Warmoth guy when I ordered my last neck. I got the impression they hate working with SS wire. I think they even refuse to do SS wire on bound necks.
But my luthier said there were no issues (for him), and he didn't charge me any more for it, either. The frets were $5 or $10 more than nickel, so the cost consideration was negligible. I know all of my future refrets will be with stainless.
Maybe there are other reasons why some luthiers won't do them, but I think it's because they'll never see any refret work on any guitar that has stainless. I could be wrong.
I can also vouch for the idea of how people play. I play with a light touch, so the frets on my 68 Custom have been there since 1976 with two level & re-dress jobs. But the frets haven't been touched since I quit touring in late 83. It may depend more on the technique than the material.
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I have ss6105's in my main strat (Warmoth). I do agree about that 'smooth' feel they have. I thought they would break strings easily at first, though this has not been the case.
Luthier's DO NOT like working with ss though, for obvious reasons.
I am 100 % confident that these stainless steel frets sound different though. They are brighter in a wierd kinda way, like more 'sterile'. I hear it alot on tremelo picked stuff. The sound has a very bright thing going on. I hear less warmth than on nickel/silver frets. I am definatley getting another neck without them. I think they would fare better on a darker/warmer type instrument, like a mahogany Gibson with the 24 3/4 scale.
Luthier's DO NOT like working with ss though, for obvious reasons.
I am 100 % confident that these stainless steel frets sound different though. They are brighter in a wierd kinda way, like more 'sterile'. I hear it alot on tremelo picked stuff. The sound has a very bright thing going on. I hear less warmth than on nickel/silver frets. I am definatley getting another neck without them. I think they would fare better on a darker/warmer type instrument, like a mahogany Gibson with the 24 3/4 scale.
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