wide slide wrote:Hey Fill,
this is a good example of how much more than just a creative vision
it takes to pull off some good work.
I'm saying this in compareing it to someone's tone quest into haveing
good equipment.
See the size of the canvasses. See the area he's working in. This is a large
investment in time and space, but of course its all nessecery. The set up is
important today. Would he have the same feel in his bedroom working on
a 24" x 24" canvass? This point is almost overlooked by a average person.
He's living his vision out and it show's. Another point once you get to this setup stage with an idea its almost automatic, meaning it almost pushes
you as if one is on top of a hill in snow on a sled.
my 2 cents
WS
Thats a good point, and it really is all about "vision" , or the ability to forsee what is not yet there. Imagine how good you have to be to not only do what he does, but to do it live in front of an audience!! There's no real room for "oops... that looks weird... I guess Ill start over"!! He KNOWS his art, his talent, and if you will, his limitations, but thats also about vision. How far can you push your creativity before either it doesnt look right, or people just dont get it get it.
I think this is the core of the genius of Picasso. He pushed the envelope SO far, and if you have any interpretive ability, you still "get it".
I've found that "SOMETIMES" with playing guitar, the moment becomes "right", and things will pour off your fingers almost without thought. Like you said... like a sled gaining momentum downhill. It certainly doesnt always happen (wouldnt it be awesome if it DID?), but when that flow starts, it is amazing, and you can almost become removed from it and "watch" it happen as if you were a 3rd person in the room.
I figure Jimi must have been tapped into that mental space a lot.
