Parallel effects loop for Marshall style amps
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- novosibir
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@ thinlizzy
You can easily use this loop for a volume boost, as it is - you haven't to change it to a 'serial only' loop and you even don't need a Boss GE-7 to obtain this!
With the Send Level and the Return Level dimed and the Send & Return jacks jumpered with a guitar cord produces a gain boost of about +12dB, much more than you'd ever need for a solo boost!
So simply put a on/off switch into the guitar cord from the Send to the Return jack, dime the Return Level and adjust the desired boost amount with the Send Level - that's all
Larry
You can easily use this loop for a volume boost, as it is - you haven't to change it to a 'serial only' loop and you even don't need a Boss GE-7 to obtain this!
With the Send Level and the Return Level dimed and the Send & Return jacks jumpered with a guitar cord produces a gain boost of about +12dB, much more than you'd ever need for a solo boost!
So simply put a on/off switch into the guitar cord from the Send to the Return jack, dime the Return Level and adjust the desired boost amount with the Send Level - that's all
Larry
Last edited by novosibir on Tue Jan 30, 2007 5:00 am, edited 1 time in total.
The fault almost always is sitting in front of the amp
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- novosibir
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Correct! In a MV desingn the loop section connects right after the Master's wiper, as it does connect right after the Treble's wiper in a NMV design!
Larry
Larry
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In principle, no!thinlizzy wrote:Is there a reason why I can't place it between the treble wiper and the master volume?
But I'll tell you (all) now the pros and cons:
When a Mastervolume control is placed directly before the PI stage and set to a low setting, the sound becomes pretty thin - therefore it's always a good mod, to place a 100K resistor between the wiper and the 22n PI's input cap, to avoid this phenomenon as much as possible. A higher value than 100K will cost you some highs and gain, because you create a voltage divider with the input impedance of the PI stage!
When you go from the loop's Return recovery stage directly into the PI, the upper phenomenon doesn't occur.
But when you place the Master after the loop, then you can boost the Return recovery stage from the preamp, to obtain more gain, as with the upper constellation. Although this would be sound colouring - you won't have your previous MV sound any longer.
Larry
The fault almost always is sitting in front of the amp
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The pots are denoted 250KA and 1MAthinlizzy wrote:The pots are "log"?
A = audio taper = log.
Shure! 470n is the lowest recommended value! You even can use a 1thinlizzy wrote:Can I use 0,57uf instead of the 0,47uF (470nf)?
The fault almost always is sitting in front of the amp
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To include this loop into a MV layout there are two different ways.borbore wrote:... in MV amp, the master volume becomes the send level or there is another 1meg pot after the mv whiper?
The 1-st, which I'd recommend:
The Master stays at the tone stack and you go from the Master's wiper into the loop section. That keeps the origin. sound of the amp.
The 2-nd, as an additional gain stage:
You go from the Treble's wiper into the loop section (as with a NMV design) and place the Master right after the Return recovery stage (but don't forget an additional cap from the Master's wiper to the PI's input!).
Now you could patch in a guitar cord from Send to Return (instead of an effects device) and with the Send Level & Return Level dimed you'd get an additional boost of about +12dB. To practice with this, set the Send Level dimed and use the Return Level as a 'Post Gain Control'.
Now you couldt even put an on/off switch in this guitar cord to get an amp with two different gain settings
But that of course isn't the orig. MV sound anymore
Larry
The fault almost always is sitting in front of the amp
Larry's Website now with included Pix's Gallery
Larry's Website now with included Pix's Gallery