The man, the band, and everything else
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spaceace76
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by spaceace76 » Mon Jun 25, 2012 4:05 pm
Jose Flanders wrote:spaceace76 wrote:i mean in the second sentence. you can just as easily interpret that multiple marshall heads just means multiple marshall heads. not multiple marshall heads in a slaved configuration. daisy chained, not slaved. i'm not arguing what he means by powering H&H power amps as that is evident from the text. the second sentence, however, is ambiguous.
Agreed. 2nd statement is ambiguous if read separately from 1st.
But in
context (1st statement: Marshall to H&H = obvious slaving) it isn't.
well that's certainly true but if you've ever been interviewed or know of anyone who has been interviewed by the press, context is something they don't particularly care about. the writer was probably not a guitar tech and slaving was not well-known back then. I doubt the interviewer knew the particulars of slaving at the time. even if he did, the fact that the sentence is phrased this way just means we don't know precisely what Rudy meant when he said that. the finer details of someone's setup, unless outlined in detail for that strict purpose, are not easily discerned just from interviews.
i can certainly agree that Rudy may have meant slaving, but he could also be talking about daisy chaining. The fact that we both interpret him differently is proof.
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redozzman
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by redozzman » Mon Jun 25, 2012 4:58 pm
speaking of different types of amps what are the amps on the far right? those are not marshalls are they?
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rgalpin
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by rgalpin » Mon Jun 25, 2012 8:10 pm
just to the left of the marshalls - those are Fender or Music Man amps right?
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Marshall SL12301
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by Marshall SL12301 » Mon Jun 25, 2012 8:46 pm
rgalpin wrote:just to the left of the marshalls - those are Fender or Music Man amps right?
music mans

R.I.P Mark Abrahamian, You will be remembered!
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guitar007
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by guitar007 » Mon Jun 25, 2012 10:36 pm
redozzman wrote:speaking of different types of amps what are the amps on the far right? those are not marshalls are they?
Aren't those Mike's Ampegs?
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Marshall SL12301
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by Marshall SL12301 » Mon Jun 25, 2012 11:21 pm
guitar007 wrote:redozzman wrote:speaking of different types of amps what are the amps on the far right? those are not marshalls are they?
Aren't those Mike's Ampegs?
second pic has ed's back up borrowed music man heads, he used laney,music man,whatever he could rent or borrow i heard?
R.I.P Mark Abrahamian, You will be remembered!
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Santi
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by Santi » Tue Jun 26, 2012 4:41 am
Marshall SL12301 wrote:guitar007 wrote:redozzman wrote:speaking of different types of amps what are the amps on the far right? those are not marshalls are they?
Aren't those Mike's Ampegs?
second pic has ed's back up borrowed music man heads, he used laney,music man,whatever he could rent or borrow i heard?
Which makes me wonder: If it was all in "the amp" how did Eddie get his sound when he was using different amps?
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leadguy
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by leadguy » Tue Jun 26, 2012 5:00 am
redozzman wrote:speaking of different types of amps what are the amps on the far right? those are not marshalls are they?
Ed lost some of his Marshall heads coming back from Japan in 1978 but he got them back in 1978 eventually.
Seeing that most of Ed's sound is just driving an amp to max and Ed's effects and Ed himself, then Laney's and whatever don't matter that much.
Ed said in an interview that Pan Am lost the amps and it didn't matter that much because he still basically sounded the same with Laney's or whatever because of how he plays.
Of course, he could be slaving through the Laney's and have secret pedals in his pants and ..................
"When your swinging, Swing some MORE" ~Monk
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vanhalen5150
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by vanhalen5150 » Tue Jun 26, 2012 6:17 am
That's 2 jokes from leadguy in one week.

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billshatner
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by billshatner » Tue Jun 26, 2012 7:34 am
leadguy wrote:redozzman wrote:speaking of different types of amps what are the amps on the far right? those are not marshalls are they?
Ed lost some of his Marshall heads coming back from Japan in 1978 but he got them back in 1978 eventually.
Seeing that most of Ed's sound is just driving an amp to max and Ed's effects and Ed himself, then Laney's and whatever don't matter that much.
Ed said in an interview that Pan Am lost the amps and it didn't matter that much because he still basically sounded the same with Laney's or whatever because of how he plays.
Of course, he could be slaving through the Laney's and have secret pedals in his pants and ..................
Yeah, he sounded the same thru other amps because his sound was being generated BEFORE it got to the amp. A dimed Music Man will sound like absolute shit.
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leadguy
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by leadguy » Tue Jun 26, 2012 8:12 am
Ed had EQ's and variacs to alter amps to his way of liking.
The Musicman's and Laney's are probably daisy chained to other Marshalls anyway.
There are still quite a few Marshalls ,but his main Marshall was lost for a while I think along with some of his other regular Marshall's and he replaced them quickly with newer Marshall's (I suppose early 70s Marshalls), Laney's and Musicman's.

"When your swinging, Swing some MORE" ~Monk
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vanhalen5150
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by vanhalen5150 » Tue Jun 26, 2012 8:41 am
What's sitting on the floor just to the right of the 2 EP3's?
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leadguy
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by leadguy » Tue Jun 26, 2012 8:48 am
The secret pedal?
I don't know really.
That's around where Ed has EQ's in the Japan photos, EQ's near the Echoplexes.
"When your swinging, Swing some MORE" ~Monk
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vanhalen5150
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by vanhalen5150 » Tue Jun 26, 2012 9:33 am
Is it that Vega wireless thing?
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Good Guest
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by Good Guest » Tue Jun 26, 2012 10:07 am
vanhalen5150 wrote:Is it that Vega wireless thing?
yep..I guess it would be his BACKUP compressor/ boost should the one in his ep3 fail..

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