Flames1950 wrote:St August wrote:sometimes its better to just get away from it for a while. Just move on to something else for a couple of weeks..

Ouch, no guitar for a couple of weeks is like no food or water.

Well, yup... St. A is right on the money with this.
To "efficiently" learn (teach yourself) and retain information, 3 days of one hour playing is more than enough. (5 days max) Any more the learning curve goes south.
Leave that guitar alone, put it in the closet and let it collect dust 'til the next time you pick it up.
(businesslike) One would start on Monday. Play 3-4 days. Put it away and not even think about it until the following Monday.
Take the energy from that day and utilize it in your playing for that hour each day.
For instance:
If you had a Road Rage incident which got you super pissed off. I'll bet you can write a killer heavy sounding tune that had some vengeful meaning.
Or... you found some money on the way home from work... That energy could write you a jumpin' Rock N Roll tune that a beer company would use in a TV commercial...
Maybe even some Bad luck that the day offered and you wrote a killer minor chord progression that would make Mona Lisa cry.
We all love playing (which for example is like ice cream) but the reality is that if one likes ice cream or a favorite sweet dessert., you not going to have it at every meal?
Taking time away from your instrument is a great way to fill ourselves with fresh new productive ideas.
rockstah also had mention how to get re-inspired... Tools,Tools, Tools !
Apparently we all have computers.
We have guitars, chops, and ideas. Most of all we have a desire to improve.
For as much money as an FX pedal I would purchase either the Line6 GuitarPort or the Tone port with RiffWorks. This has a built in Drummer and recorder to use as your scratch pad.
For those who want to plug straight into to computer there's a software program called Amplitube that also has RiffWorks.
For the Super serious there is NOTHING mightier that the pencil and paper. Prepare a 2 octave Neck Graph and "dot in" a chord of choice. A simple bar chord perhaps...
Transfer those notes on the entire fretboard..
When you connect the dots of the first initial chord by drawing a line from the 6th sting note to the 5th to the 4th, etc. It will be apparent
what the next chord in the sequence will be. Shapes and patterns will surface leaving you with alternative fingering pattern of a far to familiar scale.
Playing a scale in the 3rd position will be different in the 5th even though they're the same exact notes being played. It will make you play it different. Perhaps accentuating on a different note or
having a different feel altogether. So it's a good thing to know your way around the neck so your vocabulary is broadened and understood anywhere you go...
Get out of that rutt !