floyd Rose

There's more to life than just amps?

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NY Chief
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Post by NY Chief » Wed Feb 20, 2008 3:34 pm

yngwie308 wrote:I thing PING are the only officially liscenced, exact OFR copy, IIRC.
Try to find an old Kramer, good luck or Hamer, with an original FR.
It has been well know that the harder metal first Floyds are best and yes replace the nut too, I did!
http://www.floydrose.com/main.html
mailto:info@floydrose.com
http://www.floydrose.com/pdf/brochures/ ... ochure.pdf
There you go buy a new one from Uncle Floyd and email them about the metal used!! :)
yngwie308
Isn't this a "good" one as well?? Says it's hardened steel.

http://warmoth.com/hardware/bridges/bri ... d_original
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45auto
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Post by 45auto » Wed Feb 20, 2008 4:05 pm

that's the one i just got chief, it seems of decent quality. it appears to be just like the one i had in the '80's kramer beretta.
http://www.soundclick.com/bands/default ... dID=559714" onclick="window.open(this.href);return false;
http://s62.photobucket.com/albums/h119/ ... t=1980.flv" onclick="window.open(this.href);return false;

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yngwie308
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Post by yngwie308 » Wed Feb 20, 2008 4:13 pm

l&d, check out the EVH section of the forum, they dissect ad nauseum every minute detail of every photographed and recorded minutia of the life and times of Edward the Dutchman, we are only referencing an artist who started with a vintage trem and then went to a FR, sure all the oyher things make a difference, but not acoustically what we are describing. :)
yngwie308
http://www.vintagewashburn.com/Electric ... evens.html" onclick="window.open(this.href);return false;

http://www.treblebooster.net/bolin.html" onclick="window.open(this.href);return false;

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sadwings75
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Post by sadwings75 » Wed Feb 20, 2008 4:18 pm

yngwie308 wrote:Here is a prime example of tone sucking Original Floyd Rose tone sucking guitar, with active EMG pickup, no less:
http://www.youtube.com/watch?v=W-gc2B2IKik
http://www.youtube.com/watch?v=e5NdLb0X7_A
http://www.youtube.com/watch?v=8RBKc6Xy ... re=related
http://www.youtube.com/watch?v=hapJe1qeVZs
http://www.youtube.com/watch?v=KFUW621lgXY
http://www.youtube.com/watch?v=xGBucMbYhMQ
These examples all show the incredibly dead end sound from a plank with a FR, :lol: , yes no sustain compared to a vintage trem, blah, blah.
Guess what if a Floyd is not for you, don't play em, granted they take a lot of technique and right hand control , balance and muting to play correctly, but I feel Gary Moore in these clips is able to use the bar to incredible musical triumphs!
imho of course, a vintage Strat trem cannot soar like this dynamite Charvel of old :D :D
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yngwie308
I have to say that I really enjoy his tone on The Loner from that show. With the two factors of the bridge being a floyd and the pickups being active, you wouldn't expect it to sound that good. To me, that clip shows how good emgs are capable of sounding. His top notch playing doesn't hurt either.

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Post by yngwie308 » Wed Feb 20, 2008 6:31 pm

Those were my thoughts exactly sadwings 75, I love the whole Stockholm show and once again proves Gary is a master of the bar, different than JB and that EMG's are only as good as a guitar. And Gary's Charvel is superb, the EMG's in my GM Heritages are awesome as well.
yngwie308
http://www.vintagewashburn.com/Electric ... evens.html" onclick="window.open(this.href);return false;

http://www.treblebooster.net/bolin.html" onclick="window.open(this.href);return false;

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Post by fillmore nyc » Wed Feb 20, 2008 9:49 pm

loud and dirty wrote:So what some people are saying, using EVH as the example, is that the Floyd was the only factor in his tone being different? Not his tubes, amps, speakers, cabinets (grill cloth effects tone), microphones (huge difference between a Shure and a Sennheiser), miking techniques, going through rack effects,pedals, playing hundreds of different guitars made of varying woods (he used everything from stock Strats to LP's to Tele's to Dan Electro Guitars), constantly changing pickups, different recording techniques and machines, the producer's ear,etc....

None of those factors contribute at all to his tone? My point is that it is simply not possible to base an honest opinion on the tone of a single component of a guitar from listening to a STUDIO recording. There are simply too many variables.

Look, a Floyd does change a guitar....That's easy to agree on... But I just don't think using studio albums recorded a year apart, or more, is the best way to judge the difference. Playing two equally well constructed instruments, high quality parts and a real Floyd) is a much better way. A lot of people have low opinions on Floyds because they have played "licensed by" on cheap guitars.
Really, when you get down to it, its just for the sake of conversation and experimentation. Every player thats been at this game for more than 5 minutes knows that you can compare 2 absolutely identical rigs, from guitars, amps, tubes, cords, strings, blah, blah, blah. Make the pickguard screws identical down to their weight in micrograms. The 2 rigs WILL sound different.
I think just about all of us has heard a Floyd guitars that kills, and a Floyd guitar that sucks. If the right combination isnt there, no trickery or mod is gonna be "THE answer". Sometimes you just hit the right piece of wood, the right pickup wind, the right phase of the moon, and it all WORKS.
More often than not, something isnt up to snuff, and then we all get out the X-ray machine and go to work. Its beautiful, cause somebody somewhere gets to go "AH-HA!! I GOT IT!!"
Then we all scream like little kids trying to get a glimpse at the big secret, cause we all wanna be the guy that "gets the chicks". :lol: :lol:
Ya gotta love it!!
8) 8) 8) 8)

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right

Post by IloveMyMarshall » Thu Feb 21, 2008 9:19 am

fillmore nyc wrote:
loud and dirty wrote:So what some people are saying, using EVH as the example, is that the Floyd was the only factor in his tone being different? Not his tubes, amps, speakers, cabinets (grill cloth effects tone), microphones (huge difference between a Shure and a Sennheiser), miking techniques, going through rack effects,pedals, playing hundreds of different guitars made of varying woods (he used everything from stock Strats to LP's to Tele's to Dan Electro Guitars), constantly changing pickups, different recording techniques and machines, the producer's ear,etc....

None of those factors contribute at all to his tone? My point is that it is simply not possible to base an honest opinion on the tone of a single component of a guitar from listening to a STUDIO recording. There are simply too many variables.

Look, a Floyd does change a guitar....That's easy to agree on... But I just don't think using studio albums recorded a year apart, or more, is the best way to judge the difference. Playing two equally well constructed instruments, high quality parts and a real Floyd) is a much better way. A lot of people have low opinions on Floyds because they have played "licensed by" on cheap guitars.
Really, when you get down to it, its just for the sake of conversation and experimentation. Every player thats been at this game for more than 5 minutes knows that you can compare 2 absolutely identical rigs, from guitars, amps, tubes, cords, strings, blah, blah, blah. Make the pickguard screws identical down to their weight in micrograms. The 2 rigs WILL sound different.
I think just about all of us has heard a Floyd guitars that kills, and a Floyd guitar that sucks. If the right combination isnt there, no trickery or mod is gonna be "THE answer". Sometimes you just hit the right piece of wood, the right pickup wind, the right phase of the moon, and it all WORKS.
More often than not, something isnt up to snuff, and then we all get out the X-ray machine and go to work. Its beautiful, cause somebody somewhere gets to go "AH-HA!! I GOT IT!!"
Then we all scream like little kids trying to get a glimpse at the big secret, cause we all wanna be the guy that "gets the chicks". :lol: :lol:
Ya gotta love it!!
8) 8) 8) 8)
Well put, its def chasing something "Tone" I love to tweak stuff to see if it will work, this site and the people are beyond a huge help, thee amount of talent alone is amazing let alone the gear head tweakers tone chasers! I guess with Eddie its all the above right Gear, Song writing, tone, and timing timing and TIMING!! Ed was at the right time right place in music where we needed something badly, easy now dont get me wrong I love Moore, Beck, Page, Hendrix.

I could go on and on, but music was waiting for this guy (ed) and when the little dutchman hit the streets we opened arms and said G Damn WTF who was that?? And no one in my area could cop his feel sure we where all tappin dancin away, then of course malmsteen hit the streets and we were like ok thats it I quit LOL Now look around 30 years later we are still banging our heads against the wall over all of them probably more so Eddie then anyone WHY???

Anyone care to chime in?? Im from ohio originally we had some talent come out of there I went to high school wtih Jeff Young ( Megadeath), and took some lessons off Michale Harris, annd often would go see his band which is a complete shredder in my opinion, then ther was a huge gospel Goad Fam Singers band up in piqua ohio kid was 14 keyboard player( which just passed away god rest his soul) could smoke ELP and or Wakeman No shit gang could smoke these guys with his eyes closed, anyways wow way off topic here.

Im sorry LOL but the point beside chasing tone and all this place we can reflect and share and learn and all the above, Dont you true rockers out there feel like you are LOST?? In this world come on our music kicked ass and its gone gone gone!!

bring it back, this american idol is shit and a joke, hanna banana montana WTF is that shit and the chick is selling huge ass arenas O U T!! That shit is not music!!!!!!!!!!! there is no blood sweat soul kick ur assage in that crap!!DAmnnn!!! lol

Ok thanks for letting me vent Im better, sorry for semi off topic lol, but there is to much talent in here you young guys got to do some major ass kicking and write some tunes and make it happen!! Or move to japan LOL passports please lol
Once again sorry for this huge post I will bar myself from posting for a day or so LOL

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Tone Slinger
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Post by Tone Slinger » Thu Feb 21, 2008 9:23 am

Ha, Ha. Hell yeah ! I hear ya Fill. You and Yngwie308 (brotha Dave) get at what I'm trying to say. We know what tubes, speakers ,guitars (most all the variables of them, that is),etc, do to tone. My Warmoth strat (back routed hard ash, one bridge hb'er, one neck single coil, maple neck/fretboard with floyd rose)sounds better than I remember my '87 Kramer Baretta, or any other floyd equiped guitar that I have played. It is a great sounding instrument. Now having said this, for my honest taste and opinion on this, I can pick up a vintage reissue strat at any guitar store, and tonally, it will out perform my Warmoth. My Warmoth will though, absolutly SLAY any of the other locking trem guitars, like the Jacksons, Ibanez and Dean guitars.

I use EVH as a reference here because he was probably the main reason Floyds got popular in the first place. I do feel that Ed got great tones using floyds, especially on the Fair Warning tracks where he used his Frankie. Still, Ed lost some tone based soley on the bridge swap.

Also, Ed seemed to play a little more physical when he had that Fender bridge, meaning more pressure on fretting and striking the strings, DIGGING IN, that is. Like Dave said earlier, playing on a Floyd takes a different technique. A lighter, softer technique that cant help but change things. Can y'all guy's imagine Stevie Ray playin a strat with a floyd on it ? Shit, he'd have that thing smashed on the floor in no time 8) .

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Post by Tone Slinger » Thu Feb 21, 2008 9:39 am

Ilovemymarshall, I get at what your saying about Ed. He was and still is CONTAGIOUS as a stylistic guitarist. He was a very rhythmic dude that got a very warm and vibrant distortion. And like you mentioned, it was a number of variables that got him to where he is at. Having said that, I love melodic playing, and consider M. Schenker, Roth, Moore as every bit his equal.Guitar TONE can only be gotten through a guitar/equipment, but great melodies can be played on any instrument, as well as sung or whistled. Still, Ed got a hold of that COMERCIAL success $$$$, that eludes most other truley great guitarists.

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45auto
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Post by 45auto » Thu Feb 21, 2008 9:39 am

so true. many good points. if i remember right, eddie made/had made a big thick ass mahogany body to try & compensate some
tone" for the floyd. he obviously didn't switch over to that guitar though.
http://www.soundclick.com/bands/default ... dID=559714" onclick="window.open(this.href);return false;
http://s62.photobucket.com/albums/h119/ ... t=1980.flv" onclick="window.open(this.href);return false;

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Floyds

Post by IloveMyMarshall » Fri Feb 22, 2008 1:38 pm

Where are there any floyds?? I been looking around zero to be found even divebomb was O U T! Guess I will give Sarah a ring her in a few, they had one on ebay gold 200.00 there goes all my cash lol
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45auto
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Post by 45auto » Fri Feb 22, 2008 2:01 pm

did you try warmoth? they might have stock.
http://www.soundclick.com/bands/default ... dID=559714" onclick="window.open(this.href);return false;
http://s62.photobucket.com/albums/h119/ ... t=1980.flv" onclick="window.open(this.href);return false;

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yngwie308
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Post by yngwie308 » Sat Feb 23, 2008 1:24 am

Back up on the tube, Gary's fantastic live version of Military Man, this song has two different solos, the first one is one of Gary's most melodic and hauntingly beautiful, the second, furious and full of passionate fire.
Again the Floyd is shown to great effect, I would like my Marshall to sound like Gary's 1972 Super Bass here :D 8)
http://www.youtube.com/watch?v=Mn7oiqRYWCo
Here she is , it was purple, but painted black, :lol:
Image
yngwie308
http://www.vintagewashburn.com/Electric ... evens.html" onclick="window.open(this.href);return false;

http://www.treblebooster.net/bolin.html" onclick="window.open(this.href);return false;

IloveMyMarshall
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yes

Post by IloveMyMarshall » Sat Feb 23, 2008 9:48 pm

yngwie308 wrote:Back up on the tube, Gary's fantastic live version of Military Man, this song has two different solos, the first one is one of Gary's most melodic and hauntingly beautiful, the second, furious and full of passionate fire.
Again the Floyd is shown to great effect, I would like my Marshall to sound like Gary's 1972 Super Bass here :D 8)
http://www.youtube.com/watch?v=Mn7oiqRYWCo
Here she is , it was purple, but painted black, :lol:
Image
yngwie308
That is Bad Ass!!!

On the floyd Im hooked up called F Rose! Central and talked to Sarah!
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yngwie308
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Post by yngwie308 » Sat Feb 23, 2008 11:07 pm

yngwie308 wrote:I thing PING are the only officially liscenced, exact OFR copy, IIRC.
Try to find an old Kramer, good luck or Hamer, with an original FR.
It has been well know that the harder metal first Floyds are best and yes replace the nut too, I did!
http://www.floydrose.com/main.html
mailto:info@floydrose.com
http://www.floydrose.com/pdf/brochures/ ... ochure.pdf
There you go buy a new one from Uncle Floyd and email them about the metal used!! :)
yngwie308
did this help??
yngwie308
http://www.vintagewashburn.com/Electric ... evens.html" onclick="window.open(this.href);return false;

http://www.treblebooster.net/bolin.html" onclick="window.open(this.href);return false;

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