Flames1950 wrote:So YOU'RE the two that were kicking my rear end in those early three segment samples...........BUSTED.
Ewps! Caught!
Jerry's is the really heavily chorused one. Mine's the other. I ended up going back and re-doing that take as Jerry just cut it out of a long take over the entire track...always screwed it up in some area. That's the one I spent so much time re-doing. The funny thing is, I worked out an entirely different one, submitted it. Then yesterday, since he needed another one, I blasted out the original version in less than 10 minutes...it's better than the one I slaved over in both playing and sound.
Hey...at least you used a real amp!!
I've never really been a metal metal player...more into classic rock and grunge...that sort of stuff...and guys like EJ or steve morse for technical playing...can't play like them. I just learned little things here and there from the metal players to keep up with the other players in high school. I remember a friend of mine at the time, playing for a year, and he's double picking everything...playing yngwie and all that...writing songs...and he was a couple years younger....I was still playing the same old stuff i had been playing for 6 yrs...had to branch out. Vai and Satch, when they came out, was when I really got into it...I like Vai's crazy noodly solos and satch...well when satch boogie first came out...it was a relief to hear someone shred but keep it more bluesy and less harmonic minor. Same with this local guy, Dave Scott, a few of us have reminisced about.
Maybe, the next jam we can do something like Allman Bros./Govt. Mule's "Soulshine".